Upcoming Screenings with Filmmaker Q & A

We're very excited to announce the follow upcoming screenings:

University of Rhode Island, Kingston, RI  -  Monday, February 28, 2011 - 7:30 PM Swan Hall, 60 Upper College Road

Rhode Island School of Design, Providence, RI - Tuesday, March 1, 2011 RISD - 7 PM RISD Auditorium, 17 Canal Walk, Providence

Tufts University, Medford, MA - Wednesday, March 2, 2011 - 3 - 5:30 PM Cohen Auditorium, Aidekman Arts Center, 15 South Campus Road

National Gallery of Art, Washington, DC - Saturday, March 5, 2011 - 1 PM East Building Concourse, Auditorium, 4th and Constitution Avenue NW

York University, Toronto, CA  -  Thursday, March 17, 2011 - 6:30 - 9:00 PM Nat Taylor Cinema, Ross N102, 4700 Keele Street 

The screening will be followed by a panel discussion

Rosendale Theater, Rosendale, NY - Saturday, April 2, 2011 - 7:30 PM - $6.00; theater members $5.00

Cleveland Museum of Art, Cleveland, OH - Sunday, April 10, 2011 - 1:30 PM  Gartner Auditorium 

          The screening includes a talk with European Painting Curator Jon Seydl - $10; museum members, seniors & students $8.

Virginia Museum of Fine Art, Richmond, VA - Friday, June 17, 2011 - time to be determined

Upcoming screenings in the works include Cincinnati, Colorado, Baltimore, San Francisco, Philadelphia and New York City - stay tuned!

Please contact us if you'd like to bring us to your city.

Artemisia painting at auction, Christies January 26th 2011

Artemisia's "The Penitent Magdalene" is coming up for auction at Christies on January 26th 2011. 

We were pleased to see that the estimate is set at $800,000 to $1,200,000. In 2006 we filmed the auction of an Artemisia painting at Christies and that sold for $45,000. During our film screenings people in the audience gasp at that low selling price.

We've heard about the sale from many people. Along with the new signed portrait at Sperone Westwater there is a lot of action on the Artemisia front.

You Will Meet A Tall, Handsome Stranger… On The Bowery

This is an article by David Cohen about the newly discovered Artemisia portrait at Sperone Westwater. It appeared in yesterday's, New York Sun. We were keen to find out further information about the discovery and the future exhibition in Milan.

"The new Artemisia was acquired under a different attribution. During restoration the monogram AG emerged in the trinkets on the young man's chest, and after lengthy analysis experts are agreed now on the portrait being from her hand. It is to be included in a large public exhibition of her work in Milan later this spring. This tall handsome painting is likely from the period just after she gained independence from her father, Orazio's workshop."

Also a nice link to the portrait.

New Discovery! Artemisia Gentileschi rare signed portrait unveiled! In NYC through February 19th!

 (double click to enlarge)

Yes, really, a new Artemisia Gentileschi portrait! We were truly excited when this appeared in our Google Alert a couple of weeks ago. While we have all read that in her time Artemisia was renowned for her portraits - and the Portrait of a Gonfaloniere has been well known - it is really exhilarating when new works appear.

The preview was last night at the recently opened Norman Foster designed Sperone Westwater gallery on the Bowery. The exhibition is presented in partnership Robilant + Voena.

There he is at the far end of the gallery.

His identity is unknown but Artemisia's initials are worked into the jewelry that is at the center of his blouse. 

It is a really beautiful painting. (although this is a bad photograph of it)

This is the gallery's description: ARTEMISIA GENTILESCHI, (Rome 1593 - after January 1654 Naples), Portrait of an Unidentified Man, 1630-1635, Oil on canvas, 204.5 x 109.2 cm / 80.5 x 43 in, Monogrammed AG on the silver trinkets, detail.

"The exhibition is accompanied by a fully illustrated, scholarly catalogue" - Judy Mann, the curator of the Artemisia portion of the 2002 father/daughter exhibition wrote the catalogue entry. Here is a version of Judy Mann's essay - I think that in the catalogue her essay is even more extensive.

I was told by Marco Voena that the painting has already been sold to a collector of contemporary portraits in New York City - so you best go see him now before he disappears behind the closed doors of this private collection. At the front desk you can pick up this great large format postcard to send to your friends or hang on your wall.

 

Marco Voena also confirmed that there is an UPCOMING, FALL 2011,  ARTEMISIA EXHIBITION SCHEDULED IN MILAN - He kindly said he would help us get in touch with the gallery - it would be great to show our film during the exhibition! We will keep you posted as we get more details about that exhibition.

The Beginning

So our university/museum tour kicked off in September with a journey to Maine. We started at Bowdoin College. We had been invited by Professor Susan Wegner.

We first met Professor Wegner at the CAA convention in Chicago in February 2010. Over many years we had strategized how best to roll out our film (when we finally finished) and we believed that CAA was the perfect setting to launch. CAA would be the first step in our DIY distribution plan. And after spending 7 years making the film (hard to admit) we hoped it would be smooth sailing.

We had reserved a booth in the book and trade fair section of the convention. We ordered press materials, booked our travel early and tried to be meticulous, saving money without cutting corners and yet we almost didn't make it to Chicago. 

The conference was scheduled for February 10-13 and when a blizzard hit on the 6th we scurried to find alternate travel routes should we need them. Things were crazy, We booked a sleeper train just in case and kept checking the flights - we had to get there. And then the day before our flight - . . .

Snowmageddon  - that's what they nicknamed it. People said it was epic. The second North American blizzard of 2010 hit the Midwest, Mid-Atlantic and New England regions of the United States between February 9–11, 2010.  The storm dumped 12 to 40 inches of snow across a wide swath from Washington, DC to Boston.

Oh no! We kept checking the flights. And then when it seemed that a later flight might be a better bet we took the chance and changed ours - only to have the earlier one be the last to leave the gate.

So Melissa went to work and pulled some strings - (having a sister-in-law in the travel business is a good thing!)

Pheww . . . a day late - but we got there, many weren't so lucky. Yeah!

We set up our booth, got some power for our laptaps and waited for the crowds. 

People seemed genuinely interested in our film. We told everyone about our plans to self-distribute starting in the Fall of 2010. They watched the trailer, snapped up out postcards and bookmarks and signed our mailing list.

We also made time to see some of the academic presentations at CAA. We were especially eager to see Professor Wegner's talk - "Darkness at Dawn: Artemisia Gentileschi’s Aurora, ca. 1625-27." It was an amazing paper - we were both moved - (actually to tears) and we can't wait for it to be published so we can share it with all of you.

We were pleased when Professor Wegner came to our booth to see our trailer and find out more about our plans for the film. It seems so long ago.

So in September 2010 we set out for Maine. (more coming . . . )

New Radio Interview with Will Corwin

Here is a recent radio interview we did with Will Corwin for Art International Radio. Will is a wonderful artist and a great interviewer - we're really excited to share this. You can listen here or . . .

you can access the interview through the links below.

 

Ellen Weissbrod & Melissa Powell, a woman like that
First broadcast December 10, 2010

▶ Listen NOW or listen with iTunes

Ellen Weissbrod and Melissa Powell, director and producer of the Film, a woman like that, stop by the Clocktower to tell the story of their feature-length documentary. The film follows the life of the 17th century artist Artemisia Gentilesschi, but it does more than that. In researching and talking about Artemisia, director Weissbrod, who also narrates and appears in the film, finds a source of inspiration and strength in the paintings of this painter who had been often misunderstood. In the telling of the story she gathers together art historians and art lovers who have been touched by a woman who succeeded against many obstacles in a time when women were not supposed to be painters to begin with, and certainly not supposed to paint the way Artemisia did. (31 minutes) 

Please share our post with your friends - Thanks!

Venturing Forth

So it has been a long, long time coming - many, many years of trying to figure out how to tell the story of Artemisia Gentileschi, but here we are getting the film out in to the world. (We'll definitely post more about making the film further down the line.)

We finished the film at the end of May and had our first public screenings at the Berkshire International Film Festival, on June 5th and June 6th 2010.

We found ourselves on various blogs - berkshirewomenwrite.com, ginahyams.com/blog/ - everyone did a great job of getting the word out there. Our first two public screenings were a great success - we even sold out!

The audience was extremely moved, expressed its enthusiasm and even laughed in more places than we ever imagined. It was very gratifying.

Many old friends came and brought new friends - we had a lovely dinner after our premiere.

The festival hosted some really fun events, we met lots of people and this part of our adventure was launched.

We are so grateful to Kelley and Lauren and John and especially Elissa and everyone else at BIFF for making it possible! A wonderful weekend.

Here is a little movie Melissa compiled of our Berkshire weekend.